Aureo Puerta Carreño is a guitarist who composes using geometry


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Venezuelan guitarist Aureo Puerta Carreño uses geometry to compose music.


Aureo Puerta Carreño makes geometry his muse. The 28-year-old Venezuelan guitarist has created a method of composing music, using geometric patterns.

Musicians and mathematicians applauded his work. His compositions have been performed at guitar festivals in the United States, and in 2020 he was named composer in residence by the Miami Symphony Orchestra.

“I compose my music through geometry, and for that I only use a compass and a ruler,” he said. “It’s a system that I invented six years ago, whereby a matrix of hexagons becomes my canvas, where I will write the notes. In short, I can put music on any object I want.

It all started one day when Puerta Carreño was composing and ran out of music paper. He took a piece of graph paper and began to jot down notes on it. As he wrote, he noticed that each scale formed a geometric pattern.

“But the squares on the paper didn’t help me place the 12 notes of our musical tonal system, because a square only has four sides,” he said. “One day while watching a show about the importance of bees, the hexagon came to my mind, and that’s what led to the discovery of the geometric pattern on which the music is based.”

Musical composition by geometry consists of converting sound into a pattern and vice versa.

To understand the music composition system, you must first understand that a musical scale is a collection of tones.

Let’s take a clock as a reference, it consists of 12 digits – just like the chromatic scale. The number 12 will be the starting point. If we move to the right, joining 12 with any other point, we can see that different geometric figures are formed which represent the different scales. The base scale is the second scale, which forms a hexagon.

This discovery changed the way Puerta Carreño looks at music.

“This model resulted in things that I had seen before in my musical education, but from another point of view,” said Puerta Carreño. “It’s a much more logical and easier to understand way than traditional theory because with this method anyone who doesn’t know anything about music can understand the construction of any chord or scale.”

Puerta Carreño came to the United States on a scholarship to study music at the University of Miami in 2013. But at the time, his English was very limited and he had to give up.

However, his accomplishments as a musician in Venezuela, including obtaining the National Music Award, have enabled him to obtain a visa for people with extraordinary abilities in the fields of science, arts, education, music. business or athletics and which have been recognized nationally or internationally.

Secret model of music

After moving to Florida, Puerta Carreño started giving private guitar lessons and saving money. He later started the Carreño Academy of Music in Weston.

“At the academy, you learn with the traditional method,” explains Vicky Beltran, a student. “Professor Puerta taught us his method several times, and it was fun. If he writes all the notes on the left side of the hexagon, we know we are playing a happy song, and if it is on the right side, we are playing a sad song.

Three years ago, Puerta Carreño composed “Cancion Para Ti», A baroque musical piece which earned him international recognition. The piece has been performed at classical guitar festivals in the United States and Canada. It has also been downloaded over 10,000 times on the portal.

“Aureo’s work is wonderful,” said Eduardo Marturet, director and conductor of the Miami Symphony Orchestra. “After listening to some of his musical works, we decided he deserved credit for writing for the Miami Symphony Orchestra, and his work just amazed us.”

Currently, Puerta Carreño is working on the publication of “The Secret Pattern Music”, a four-volume ensemble in which he explains his method of composition. He dreams of expanding the Weston Music Academy in Venezuela.

“I want to share a reflection on my grandfather, Inocente Carreño, a famous Venezuelan musician and an important figure in my life,” he said.

“One day my grandfather asked me, ‘Do you know why my music is popular?’ and I said, ‘Well, grandpa, because you’re a genius.’

Then he said, “No! There are people a lot smarter than me, ”and whispered,“ because I have a lot of friends and I share my music with them, and they share it with their friends.

“At first I didn’t understand it, but today I see that the success of music is to be able to share it with others, and not just music but everything in life.”

Lorena Cespedes is a Colombian student at Florida International University, majoring in journalism. She loves to travel, take pictures and write about opinion, sport and culture.


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